A reader in animation studies
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A reader in animation studies
- Publication date
- 1997
- Publisher
- London : J. Libbey
- Collection
- internetarchivebooks; inlibrary; printdisabled
- Contributor
- Internet Archive
- Language
- English
- Item Size
- 687.4M
xviii, 283 p. : 24 cm
A selection of papers presented at the annual conferences of the Society of Animation Studies
Includes bibliographical references (p. 219-220)
New technologies: What is animation and who needs to know? an essay on definitions / Philip Kelly Denslow. "Reality' effects in computer animation / Lev Manovich. Second-order realism and post-modern aesthetics in computer animation / Andy Darley -- Text and context, analyses of individual films: The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' / Steve Weiner. Narrative strategies for resistance and protest in Eastern European animation / William Moritz. Putting themselves in the pictures; images of women in the work of Joanna Quinn, Candy Guard and Alison de Vere / Sandra Law. An analysis of Susan Pitt's Asparagus and Joanna Priestley's All my relations / Sharon Couzin. Clay animation comes out of the inkwell, The Fleischer brothers and clay animation / Michael Frierson. Bartosch's The Idea / William Moritz. Norman McLaren and Jules Engel, Post-modernists / William Mortiz. Disney, Warner Bros. and Japanese animation / Luca Raffaelli
Contemporary cartoons and cultural studies: The thief of Buena Vista; Disney's Aladdin and Orientalism / Leslie Felperin. Animatophilia, cultural production and corporate interests, The case of Ren & Stimpy -- Theoretical approaches: Francis Bacon and Walt Disney revisited / Simon Pummell. Body consciousness in the films of Jan Svankmajer / Paul Wells. Eisenstein and Stokes on Disney, film animation and omnipotence / Michael O'Pray. Towards a post-modern animated discourse; Bakhtin, intertextuality and the cartoon carnival / Terrance R. Linvall and J. Matthew Melton
(Rewriting) history: Restoring the aesthetics of early abstract films / William Moritz. Resistance and subversion in animated films of the Nazi era; The case of Hans Fischerkoesen / William Moritz. European influences on early Disney feature films / Robin Allan, Norm Ferguson and the Latin American films of Walt Disney / J. B. Kaufman
A selection of papers presented at the annual conferences of the Society of Animation Studies
Includes bibliographical references (p. 219-220)
New technologies: What is animation and who needs to know? an essay on definitions / Philip Kelly Denslow. "Reality' effects in computer animation / Lev Manovich. Second-order realism and post-modern aesthetics in computer animation / Andy Darley -- Text and context, analyses of individual films: The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' / Steve Weiner. Narrative strategies for resistance and protest in Eastern European animation / William Moritz. Putting themselves in the pictures; images of women in the work of Joanna Quinn, Candy Guard and Alison de Vere / Sandra Law. An analysis of Susan Pitt's Asparagus and Joanna Priestley's All my relations / Sharon Couzin. Clay animation comes out of the inkwell, The Fleischer brothers and clay animation / Michael Frierson. Bartosch's The Idea / William Moritz. Norman McLaren and Jules Engel, Post-modernists / William Mortiz. Disney, Warner Bros. and Japanese animation / Luca Raffaelli
Contemporary cartoons and cultural studies: The thief of Buena Vista; Disney's Aladdin and Orientalism / Leslie Felperin. Animatophilia, cultural production and corporate interests, The case of Ren & Stimpy -- Theoretical approaches: Francis Bacon and Walt Disney revisited / Simon Pummell. Body consciousness in the films of Jan Svankmajer / Paul Wells. Eisenstein and Stokes on Disney, film animation and omnipotence / Michael O'Pray. Towards a post-modern animated discourse; Bakhtin, intertextuality and the cartoon carnival / Terrance R. Linvall and J. Matthew Melton
(Rewriting) history: Restoring the aesthetics of early abstract films / William Moritz. Resistance and subversion in animated films of the Nazi era; The case of Hans Fischerkoesen / William Moritz. European influences on early Disney feature films / Robin Allan, Norm Ferguson and the Latin American films of Walt Disney / J. B. Kaufman
- Access-restricted-item
- true
- Addeddate
- 2020-10-08 11:05:14
- Associated-names
- Pilling, Jayne; Society of Animation Studies
- Boxid
- IA1961313
- Camera
- Sony Alpha-A6300 (Control)
- Collection_set
- printdisabled
- External-identifier
-
urn:oclc:record:1200553610
urn:lcp:readerinanimatio0000unse:lcpdf:8ae71f71-d5a2-4c5a-a601-72121b079908
urn:lcp:readerinanimatio0000unse:epub:53a0ac45-87a2-42ad-900f-2385f9133ef8
- Foldoutcount
- 0
- Grant_report
- Arcadia #4281
- Identifier
- readerinanimatio0000unse
- Identifier-ark
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- Invoice
- 2089
- Isbn
- 1864620005
- Lccn
- 98166815
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- Pages
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- Ppi
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- Rcs_key
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- Republisher_date
- 20201008141721
- Republisher_operator
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